N98 - Sodium Rider (short film)
"N98 - Sodium Rider" is my first short film and is still in production. I wrote the script in early 2022 and shot it within 2 weeks in august that year. I had no budget whatsoever, relying on barter and goodwill, composing a team of friends to both shoot and act. My total direct costs so far have been around 300 euro.
"The world is no longer quiet... how do you escape the pressure"
The link below leads to an unnoficial trailer for N98 that I created in early 2023 in order to apply for a grant (that I didn't end up receiving). At the time, I did not have access to all of our footage yet, nevertheless it showcases the rough idea of what the short film will feel like. I am waiting to publish our official once the film is fully complete.
Production
Concept development
Filming
Post-production
I had no budget whatsoever to shoot this project, relying on barter and goodwill to compose a team of friends to both shoot and act. I sourced some equipment from our college TV studio and the rest from my friend Viktor Vizár (cameraman). My total direct costs so far have only been around €300 but compensated by possibly thousands of hours of my own unpaid time and work.
After shooting the majority of the film scenes in August 2022, production has been constantly slow and delayed multiple times as a result of a lack of time and financial resources. This is no surprise as I had to complete every aspect of this film myself in my "free time" with practically no external support or knowledge. The way I put it, if a dedicated team of people had helped me out, we could have done it in a few months. Me having to learn and carry out the work of all those dedicated people myself, bit by bit, means that the process has extended into the scope of years. It is unfortunate that multiple attempts to receive support to produce this film, especially in its early stages, have reached dead ends, further delaying the production process.
As it stands now (January 2025), all the scenes have been shot, all material has been synchronised and sorted, all promotional photography has been shot and a marketing plan has been made. I have also become proficient in DaVinci Resolve editing software as well as other graphic programs and photography, benefiting the outlook on quality of the film and its accompanying material.
Now I need to finish editing the film itself, create our final set of promotional graphics and content (including our official trailer) and define the details of our release plan. After that the film can be released and viewed by audiences.
Themes
Scene stills
Screenshot 2023 02 16 At 21 56 47
Screenshot 2023 02 14 At 22 53 05
Screenshot 2023 02 14 At 22 45 53
Screenshot 2023 02 14 At 22 39 42
Screenshot 2023 02 14 At 22 29 13
Screenshot 2023 02 14 At 20 17 56
Screenshot 2023 02 14 At 20 04 17
Screenshot 2023 02 14 At 19 51 53
Screenshot 2023 02 14 At 19 44 58
Screenshot 2023 02 13 At 19 33 29
Screenshot 2023 02 13 At 18 59 30
Screenshot 2023 02 13 At 18 55 46
Screenshot 2023 02 13 At 18 53 18
Screenshot 2023 02 13 At 17 10 13
Screenshot 2023 02 13 At 17 05 26
Screenshot 2023 02 13 At 16 51 33
Screenshot 2023 02 13 At 16 25 52
Screenshot 2023 02 07 At 09 15 10 2
Technical specifications
Format:
Digital 4K (3840 x 2160)
(Some shots only 1920x1080)
Cameras:
Panasonic HC X2000 (main camera)
Cannon EOS 5D Mark II (secondary camera)
Iphone 11 Pro (some filler shots filmed in 2024)
Lenses:
Panasonic HC X2000 native Leica Dicomar 25-600mm lens
Canon EF 70-200mm
Canon EF 24-70mm
Canon EF 50mm
Canon EF 8mm Fisheye
On-set & promotional photography:
Cameras:
Zenit-E (film only)
Cannon EOS 1N (film only)
Iphone 6 native camera
Iphone 11 Pro native camera
Film stocks:
Cinestill 800T
Kodak portra 800
Kodak Portra 400
Kodak Portra 160
Fujichrome 64T
Lenses:
Zenitar 16mm f2.8 fisheye
Pentacon 29mm f2.8
Penatcon 50mm f1.8
Fujinon 50mm f1.4
Other:
Hoya Sparkle 4x cross screen filter